Intermediary Trademark Liability and the Internet
By Stacey L. Dogan
The recent history of intermediary liability decisions in copyright and trademark law reflects a notable resistance to rules that might constrain judicial discretion to ferret out bad guys. The Supreme Court in Grokster suggested such resistance, by limiting the Sony safe harbor to defendants with squeaky-clean intentions. In the trademark context, recent decisions have shown great solicitude toward good-faith actors, while reserving the option to condemn those who act with the apparent design to sow confusion. Indeed, a dichotomy appears to be emerging between two types of defendants: those who want infringement to happen and those who do not. The former group faces almost certain liability, while the latter receives broad immunity, even when its services facilitate widespread infringement. The Sony safe harbor and its trademark analog, in other words, are available only to intermediaries that appear to be acting in good faith and with ultimately non-infringing objectives. Continued…
Posted in Articles.
July 23, 2011 – Cite: 2011 Stan. Tech. L. Rev. 7
What Grokster Has to Teach About the DMCA
By Jacqueline C. Charlesworth
We have reached a telling intersection in the law of secondary copyright liability. Cases in which defendants seek to broaden the safe harbors of Section 512 of the Digital Millennium Copyright Act (“DMCA”) are running up against precedent generated by Metro-Goldwyn-Mayer Studios, Inc. v. Grokster, Ltd., in which courts have held service providers liable for promoting infringement by their users. In some instances, the behavior for which the defendants are seeking shelter under Section 512 bears more resemblance to the sort of purposeful conduct condemned by the Supreme Court in its 2005 Grokster decision than that of the prototypical “innocent” service provider Congress sought to shield under the DMCA. Continued…
Posted in Articles.
May 29, 2011 – Cite: 2011 Stan. Tech. L. Rev. 6
Reassessing the Patent-Challenge-Bloc’s Antitrust Status
By Joseph Scott Miller
A patent challenger who defeats a patent wins spoils that it must share with the world, including all its competitors. This forced sharing undercuts an alleged infringer’s incentive to stay in the fight to the finish—especially if the patent owner offers an attractive settlement. Too many settlements, and too few definitive patent challenges, are the result. I have argued previously that a litigation-stage bounty would help correct this tilt against patent challenges, for it would provide cash prizes to successful patent challengers that they alone would enjoy. Even the best-designed bounty, however, would likely fail to encourage patent validity challenges in all the cases where such encouragement would be salutary. Others have urged that, going forward, post-grant administrative review is a more promising approach to weeding out weak patents. A new post-grant review procedure, however, will do nothing to encourage worthy challenges to thousands of extant weak, overasserted patents. Continued…
Posted in Articles.
March 30, 2011 – Cite: 2011 Stan. Tech. L. Rev. 5
Disclosure, Coding, and Click-Through
By Thomas P. Wolf
Under most circumstances, music writer Johnny Oxbridge would be exhilarated to open his MySpace inbox and find a message from DJ Showtime, a Los Angeles-based producer-rapper whose off-kilter beats—built on some of music’s most obscure sonic scraps—are the object of envy, scrutiny, and emulation by legions of independent hip-hop fans.1 A hip-hop enthusiast with a particular interest in production techniques and digital sampling, Oxbridge was the founder, editor- in-chief, and staff of Oxbeats.com, a website dedicated to cataloging, analyzing, and discussing the work of the genre’s leading producers. In addition to regular blog entries, Oxbridge’s site featured a wide variety of “sample sets”—compilations of digital versions of the songs sampled by his favorite producers to build their beats. In early March 2008, Oxbridge posted one of his more difficult-to- compile sets, which contained the samples from 2004’s Showbiz. The critically acclaimed product of a collaboration between Showtime and rapper Big Biz, Showbiz was different from many of the other albums Oxbridge had researched before; while the album’s liner notes featured elaborate artwork and extensive lyric sheets, they did not reveal its samples. So, Oxbridge had to start digging, resorting to his own knowledge and hints from his fellow fans to piece together the album’s sources. Continued…
Posted in Notes.
March 28, 2011 – Cite: 2011 Stan. Tech. L. Rev. N1
Time for Japan to Embrace Online Campaigning
By Matthew J. Wilson
Communication and social networks play a vital role in the modern world. The role and importance of social networks has been heightened by the advent of the Internet and the new “information age” in which modern society operates. The Internet has had a profound impact upon nearly every society, and it has increasingly assumed indispensable functions. Not only has the Internet changed the way that people communicate and network, but it is also one of the most powerful and far-reaching technological developments known to the world with respect to information exchange, education, business, and entertainment. Continued…
Posted in Articles.
February 19, 2011 – Cite: 2011 Stan. Tech. L. Rev. 4
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